Introduction

 

When I wrote the Book of Colours, I first and foremost wanted to tell a story inspired by a dream. But when I placed Henry Faust in the United States to search for and actually find my dream, I was not aware of what I had let myself in for.

“You have to understand that the world I encountered was the world you had dreamt up,” Henry said firmly.

“You say you lived in a world that exists only in my mind?”

“Well. Yes. But is it not true for us all?  We each exist in a world that originates in our minds…”

“What do you mean?” I asked.

He looked at me sternly. “If I look at a bird, the light photons of the bird enter my eye and stimulate the retina. They are transformed into electronic impulses, which are transferred to a designated part of my brain where they are converted into an image, which I recognize as a bird. The place I perceive the bird is in the brain, a place surrounded by the skull and in eternal darkness. What I perceive with my twelve senses is experienced in my brain. But then it becomes weirder: I only perceive my ‘surroundings’ when I use my senses – in effect, opening my curtains and looking out my windows. If I don’t open the curtains and don’t look out, I perceive nothing, so once again, in effect, nothing exists. There is absolutely nothing out there. By deduction, what is out there depends entirely on what I perceive.”

He looked at me with a strange smile.

“You could say, I imagined it all,” Henry continued. “That whatever I perceive is reality, whether I dream, imagine or look out the window – it is all reality.”

“Henry, you are saying that each of us perceives our surroundings differently?”

“Yes. Because of what you are and essentially who you are. I perceive my surrounding differently because it’s me doing the perceiving.” 

I became scared. “So, how I perceive my surroundings has to do with me. Where is this me? Is it in my mind? Is what I perceive only an idea?”

“Yes.”

“Whose idea?” I cried.

 

             Gerhard Heinzelmann  2008

 

The Writer